Movement Theater Percussion, choreographed for Blessed Unrest with the NYU Percussion Department.

CHOREOGRAPHIC PROCESS:
I’m Always Here With Me: Meeting Him/I’m Always Here With Me: Mourning Him
Technique: Exploring the pedestrian movements of a woman getting dressed as dance
Choreographing without music then setting to music
Using popular music to create post-performance feedback
Costume, props, set
Purpose:    To explore how form creates meaning in
movement
Through association with music in another
environment, to awaken audience to their own movements as dance.
To tell the story of a woman getting dressed for a first date and then getting dressed for a funeral with the man she married
Performed in conjunction with Wanderlust, Boston
Wanderlust, Movement Workshop Group
Technique: Multi-site workshopping (a hill, a roof, stairs, railings, stage) of movement
Exploration of Archetypes
Purpose:    To explore how set archetypes interact to create form, relationships and story
To explore how movement created in one physical space translates to another
To communicate a clear story of the Damsel engaging with Passion, Control,God, Angel and Love
Toured: Boston, New York, Hamptons
Comotion, Blessed Unrest Theater Co. and NYU Percussion Dept
Technique: Use of percussion as melody
Group and Solo Improvisation
Purpose:    To explore the emotionality of percussion
To incorporate disparate elements like Beckett’s Quad and Thiery de Mey’s      Table Music into a cohesive piece about death
Performed at the Frederick Lowe Theater, NY

Dust to Dust, The Movement Workshop Group, Boston
Principal Dancer